Dance
20th century

Contraction and release

Graham believed every dance began with a single act: the breath leaving the body.

US  —  The signature technique of Martha Graham — movement initiated by the contraction of the abdomen and resolved by the release of breath

Contraction and release is the signature technique of martha graham — movement initiated by the contraction of the abdomen and resolved by the release of breath.

Contraction and release is the foundational principle of the Martha Graham technique, codified at her New York studio from the early 1930s. The contraction is initiated in the pelvis and abdomen, curving the spine and pulling the body inward as the breath is expelled; the release returns the body to a long, vertical line as the breath fills the lungs again. Where ballet emphasises elevation away from the floor, Graham technique emphasises the relationship to the floor and the weight of the body within gravity. The contraction is not merely a physical position but an emotional one — Graham used it to embody anguish, ecstasy, defiance. Generations of choreographers, including Merce Cunningham, Paul Taylor, and Alvin Ailey, trained in the technique before developing their own. The Graham vocabulary remains one of the most influential codified movement systems of the 20th century.